Читать «ЗападноеврЗападноевропейское искусство от Джотто до Рембрандта» онлайн - страница 13

Unknown

Later, under the impact of Savonarola's preaching and the troubles besetting Italy Botticelli's imagery becomes less esoteric and more Christian. The best possible example is the Mystic Nativity. In order to emphasize the importance of the Madonna and Child and the relative unimportance of the humans, Botticelli has reverted to the early medieval device of disregarding scale and perspective and grading the actual sizes of the figures according to their importance; hence the Madonna is far the largest although placed apparently in the middle distance. The feature that links Botticelli most firmly with the Florentine artistic heritage is his linear perspective.

The unreality of Botticelli is a blind alley in the development of Renaissance painting, the brilliance and beauty of his line are not, and it may have influenced the pictorial style of Michelangelo.

Make sure you know the pronunciation of the following:

Sandro Botticelli; Florence; Flora; Graces; Hours; Savonarola; Renaissance; Venus; Christian; Zephyms; Chloris; Mercury

Notes

Primavera (The Allegory of Spring) – «Весна»

Birth of Venus – «Рождение Венеры»

Baptism of Christ – Крещение Христа

Mystic Nativity – «Мистическое Рождество»

Tasks

I. Read the text. Mark the following statements true or false.

1. Botticelli's contemporaries admired his works of art.

2. In the Primavera Christianized Venus reigns on Olympus.

3. Flora, Mercury and Zephyrus dance in a ring.

4. Botticelli's figures are extremely attenuated.

5. In the Birth of Venus Botticelli depicted the sea as a seascape painter.

6. Later in life Botticelli's imagery becomes more esoteric and less Christian.

II. How well have you read? Can you answer the following questions?

1. What glorified Botticelli? What other painters are mentioned in this text? How were they connected with Botticelli?

2. What impact did Savonarola's preaching make on Botticelli?

3. What are Botticelli's most celebrated pictures? How are they interpreted?

4. What gods and goddesses are pictured in the Primavera? What do they do? What is Botticelli's allegory related to?

5. What is represented in the Birth of Venus? What gods are depicted in this painting? What do they do? Where is Venus placed? How is Venus proportioned? What differs Botticelli's Venus from the splendid Venuses of classical antiquity? What did Botticelli try to reconcile in the Birth of Venus?

6. What does the Mystic Nativity exemplify? What device did Botticelli use to emphasize the importance of the Madonna and the Child?