Читать «Топография счастья» онлайн - страница 289

Home is where the heart is: studies in melodrama and the woman’s film / Ch. Gledhill (ed.). London: BFI Books, 1987.

Inden R. B. (1999). Transnational class, erotic arcadia and commercial utopia in Hindi films // Image journeys: audio-visual media and cultural change in India / Ch. Brosius and M. Butcher (eds.). New Delhi: Sage Publications, 1999. P 41–66.

Keen S. (2007). Empathy and the novel. New York: Oxford University Press.

Kuhn A. (2002). An everyday magic: cinema and cultural memory. London: I. B. Tauris.

Layard R. (2005). Happiness: lessons from a new science. London: Penguin.

Levinson J. (1982). Music and negative emotions // Pacific Philosophical Quarterly. № 63. P. 327–346.

Lutz C. A. (1988). Unnatural emotions: everyday sentiments on a Micronesian atoll and their challenge to western theory. Chicago: University of Chicago Press.

Lutz T. (2001). Crying: A natural and cultural history of tears. New York: W. W. Norton.

Mayne J. (1993). Cinema and spectatorship. London: Routledge.

McMahon D. (2007). The pursuit of happiness: A history from the Greeks to the present. London: Penguin.

Moldoveanu M. C. and Nohria N. (2002). Master passions: emotion, narrative and the development of culture. Cambridge, Mass.: MIT Press.

Mukherjee M. (1985). Realism and reality: the novel and society in India Delhi: Oxford University Press.

Mulvey L. (1977/8). Notes on Sirk and melodrama // Movie. Winter. P. 53–56.

Nandy A. (1988). The intimate enemy: loss and recovery of self under colonialism. Delhi: Oxford University Press [1983].

Nandy A. (2000). Invitation to an antique death: the journey of Pramathesh Barua as the origin of the terribly effeminate, maudlin, self-destructive heroes of Indian cinema // Pleasure and the nation: the history, politics and consumption of public culture in India / R. Dwyer and Ch. Pinney (eds.). Delhi: Oxford University Press. P. 139–160.

Narayan B. (2001). Documenting dissent: contesting fables, contested memories and Dalit political discourse. Shimla: Institute of Advanced Study.

Neale S. (1986). Melodrama and tears// Screen. № 27 (6). P. 6–22.

Neil A. (1996). Empathy and (film) fiction // Post-theory: reconstructing film studies / D. Bordwell and N. Carroll (eds.). Wisconsin: University of Wisconsin Press. P. 175–194.

Ngai S. (2005). Ugly feelings. Cambridge, Mass.: Harvard University Press.

Oakley J. (1992). Morality and the emotions. London: Routledge.

Oatley K. (6 Johnson-Laird P. N. (1987). Towards a cognitive theory of emotions // Cognition a Emotion. № 1. P 29–50.

Oatley K. and Jenkins J. M. (1996). Understanding emotions. Oxford: Black-well Publishers.

Parrott W. (2001). Emotions in Social Psychology. Philadelphia: Psychology Press.

Pinney Ch. (1997). Camera indica: the social life of Indian photographs. London: Reaktion Books.

Prasad M. M. (1998). Ideology of the Hindi film: a historical construction. Delhi: Oxford University Press.

Rajadhyaksha A. (2000). Viewership and democracy in the cinema // Making meaning in Indian cinema / R. Vasudevan (ed.). Delhi: Oxford University Press. P. 267–296.