Читать «И никого не стало» онлайн - страница 97

I calculated, and rightly, that no one would think of working their way through a pile of apparently untouched foodstuffs, especially as all the top tins were soldered.

The red curtain I had concealed by laying it flat on the seat of one of the drawing-room chairs under the chintz cover and the wool in the seat cushion, cutting a small hole.

And now came the moment that I had anticipated—three people who were so frightened of each other that anything might happen—and one of them had a revolver. I watched them from the windows of the house. When Blore came up alone I had the big marble clock poised ready. Exit Blore…

From my window I saw Vera Claythorne shoot Lombard. A daring and resourceful young woman. I always thought she was a match for him and more. As soon as that had happened I set the stage in her bedroom.

It was an interesting psychological experiment. Would the consciousness of her own guilt, the state of nervous tension consequent on having just shot a man, be sufficient, together with the hypnotic suggestion of the surroundings, to cause her to take her own life? I thought it would. I was right. Vera Claythorne hanged herself before my eyes where I stood in the shadow of the wardrobe.

And now for the last stage. I came forward, picked up the chair and set it against the wall. I looked for the revolver and found it at the top of the stairs where the girl had dropped it. I was careful to preserve her fingerprints on it.

And now?

I shall finish writing this. I shall enclose it and seal it in a bottle and I shall throw the bottle into the sea.

Why?

Yes, why?

It was my ambition to invent a murder mystery that no one could solve.

But no artist, I now realise, can be satisfied with art alone. There is a natural craving for recognition which cannot be gainsaid.

I have, let me confess it in all humility, a pitiful human wish that someone should know just how clever I have been…

In all this, I have assumed that the mystery of Soldier Island will remain unsolved. It may be, of course, that the police will be cleverer than I think. There are, after all, three clues. One: the police are perfectly aware that Edward Seton was guilty. They know, therefore, that one of the ten people on the island was not a murderer in any sense of the word, and it follows, paradoxically, that that person must logically be the murderer. The second clue lies in the seventh verse of the nursery rhyme. Armstrong’s death is associated with a ‘red herring’ which he swallowed—or rather which resulted in swallowing him! That is to say that at that stage of the affair some hocus-pocus is clearly indicated—and that Armstrong was deceived by it and sent to his death. That might start a promising line of inquiry. For at that period there are only four persons and of those four I am clearly the only one likely to inspire him with confidence.

The third is symbolical. The manner of my death marking me on the forehead. The brand of Cain.

There is, I think, little more to say.