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S. On the Relative Autonomy of the Icon: Converging Aesthetics in Early Modernism // Orthodox Arts Journal. December 13, 2013; Cascone K. The Aesthetics of Failure: «Post-Digital» Tendencies in Contemporary Computer Music // Leonardo. 2000. № 24 (4). P. 12–18; F. Grond and

T. Hermann, «Aesthetic Strategies in Sonification», Artificial Intelligence and Society AI&S. Ontario, 2012. Vol. 27, № 2, p. 213–222.

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Speculative Rationality (a reworked version will appear in Speculative Aesthetics). Eds. Mackay, R. Pendrell, L. Trafford, J. Windsor Quarry: Urbanomic Publishing, 2014. P. 2.

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Green J. E. Aesthetic Excuses and Moral Crimes: The Convergence of Morality and Aesthetics in Nabokov's Lolita. Georgia State University, 2006; Deligiorgi K. The convergence of ethics and aesthetics: Schiller's concept of the 'naive' and the objects of distant antiquity. In: Adlam C. and Simpson J. (eds.) Critical Exchange: European Art Criticism of the Eighteenth and Nineteenth Centuries in Russia and Western Europe. Peter Lang, Switzerland, 2009. P. 63–80.

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См.: Сох G. Speaking Code: Coding as Aesthetic and Political Expression. Cambridge, 2013; Cox G. Postscript on the post-digital and the problem of temporality // Cox G. Postdigital Aesthetics: Art, Computation and Design. // ed. by David M. Berry; Michael Dieter. Basingstoke: Palgrave Macmillan, 2015. P. 151–162.

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Flaxton T HD Aesthetics // Convergence: The International Journal of Research into New Media Technologies 000(00) I–II. Bristol University, 2011. P.6.

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Yates Ch. S. A Phenomenological Aesthetic of Cinematic 'Worlds' 11 Contemporary Aesthetics. Memphis, 2006. Vol. 4. P. 57.

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См., например: Demaret J.-N. Tintelligence artifkielle et les jeux: cas du Sokoban. Liege: Universite de Liege, 2007; Cordeschi R., Tamburrini G. Ü Intelligenza Artificial: la storia e le idee // Intelligenza Artificial Publisher: Carocci. Editors: E. Burattini, R. Cordeschi. Roma, 2001. P. 15–44.

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Jefferson G. The mind of mechanical man. The Lister Oration delivered at the Royal College of Surgeons of England on 9 June 1949 // British Medical Journal. London, 1949. 25 June. № 1. R 1105–1110.

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Turing, A. M. Computing machinery and intelligence 11 Mind. New Series. Oxford University Press. Vol. 59, № 236. 1950. P. 446.

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Ibid. P.447.

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Baumgärtel I [net. art.] Materialien zur Netzkunst. Nürnberg: Verlag für moderne Kunst, 1999. S. 11.

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Кандинский В. В. Куда идет «новое» искусство // его же, Избранные труды по теории искусства. Т. 1. М., 2001. С. 88–89.

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Converging Technologies for Improving Human Performance NANOTECHNOLOGY, BIOTECHNOLOGY, INFORMATION TECHNOLOGY AND COGNITIVE SCIENCE. Ed. by Mihail C. Roco and William Sims Bainbridge National Science Foundation. Dordrecht: Kluwer Academic Publishers (currently Springer), 2003. P. X.

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Фуко М. Археология знания. СПб., 2012. С. 347.

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Кант И. Сочинения на немецком и русском языках. М., 2006. Т. 2. Ч. 1.С. 135.

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См.: Atil I., Kalkan S. Towards an Embodied Developing Vision System 11 Künstliche Intelligenz. Springer, 2015. V. 29, Issue 1, p. 41–50; Sabatini S. P. Deep Representation Hierarchies for 3D Active Vision. Designing Specializations in Perception-Action Loops // Künstliche Intelligenz. Springer, 2015. V. 29, Issue 1, p. 31–40.