Читать «Infinite jest» онлайн - страница 10

David Foster Wallace

‘Try to listen,’ I say very slowly, muffled by the floor.

‘What in God’s name are those …,’ one Dean cries shrilly, ‘… those sounds?’

There are clicks of a phone console’s buttons, shoes’ heels moving, pivoting, a sheaf of flimsy pages falling.

‘God!’

‘Help!’

The door’s base opens at the left periphery: a wedge of halogen hall-light, white sneakers and a scuffed Nunn Bush. ‘Let him up!’ That’s deLint.

‘There is nothing wrong,’ I say slowly to the floor. Tm in here.’

I’m raised by the crutches of my underarms, shaken toward what he must see as calm by a purple-faced Director: ‘Get a grip, son!’

DeLint at the big man’s arm: ‘Stop it!’

‘I am not what you see and hear.’

Distant sirens. A crude half nelson. Forms at the door. A young Hispanic woman holds her palm against her mouth, looking.

‘I’m not,’ I say.

You have to love old-fashioned men’s rooms: the citrus scent of deodorant disks in the long porcelain trough; the stalls with wooden doors in frames of cool marble; these thin sinks in rows, basins supported by rickety alphabets of exposed plumbing; mirrors over metal shelves; behind all the voices the slight sound of a ceaseless trickle, inflated by echo against wet porcelain and a cold tile floor whose mosaic pattern looks almost Islamic at this close range.

The disorder I’ve caused revolves all around. I’ve been half-dragged, still pinioned, through a loose mob of Administrative people by the Comp. Director — who appears to have thought variously that I am having a seizure (prying open my mouth to check for a throat clear of tongue), that I am somehow choking (a textbook Heimlich that left me whooping), that I am psychotically out of control (various postures and grips designed to transfer that control to him) — while about us roil deLint, trying to restrain the Director’s restraint of me, the varsity tennis coach restraining deLint, my mother’s half-brother speaking in rapid combinations of polysyllables to the trio of Deans, who variously gasp, wring hands, loosen neckties, waggle digits in C.T.’s face, and make pases with sheafs of now-pretty-clearly-superfluous application forms.

I am rolled over supine on the geometric tile. I am concentrating docilely on the question why U.S. restrooms always appear to us as infirmaries for public distress, the place to regain control. My head is cradled in a knelt Director’s lap, which is soft, my face being swabbed with dusty-brown institutional paper towels he received from some hand out of the crowd overhead, staring with all the blankness I can summon into his jowls’ small pocks, worst at the blurred jaw-line, of scarring from long-ago acne. Uncle Charles, a truly unparalleled slinger of shit, is laying down an enfilade of same, trying to mollify men who seem way more in need of a good brow-mopping than I.

‘He’s fine,’ he keeps saying. ‘Look at him, calm as can be, lying there.’

‘You didn’t see what happened in there,’ a hunched Dean responds through a face webbed with fingers.