Читать «Взлом креатива» онлайн - страница 178
Майкл Микалко
Crandall, R. “The Relationship Between Quantity and Quality of Publications.” Personality and Social Psychology Bulletin 4 (1978): 379–380.
Cropper, A. J. The Quantum Physicists. New York: Oxford University Press, 1970.
Csikszentmihalyi, Mihaly. Flow: The Psychology of Optimal Experience. New York: HarperCollins, 1991 (Чиксентмихайи М. Поток: Психология оптимального переживания. М.: Альпина нон-фикшн, 2011).
Culhane, John. Walt Disney’s Fantasia. New York: Harry N. Abrams, 1987.
Darwin, Charles. The Autobiography of Charles Darwin (1809-1882). New York: W. W. Norton, 1993 (Дарвин Ч. Воспоминания о развитии моего ума и характера // Дарвин Ч. Сочинения. Т. 9. М.: Изд-во АН СССР, 1959).
Darwin, Francis, ed. The Life and Letters of Charles Darwin. New York: Appleton, 1911 (Дарвин Ф. Воспоминания о повседневной жизни моего отца // Дарвин Ч. Сочинения. Т. 9. М.: Изд-во АН СССР, 1959).
—, ed. The Autobiography of Charles Darwin and Selected Letters. New York: Dover, 1958.
De Mille, Agnes. Martha: The Life and Work of Martha Graham. New York: Random House, 1992.
Dennett, Daniel. Kinds of Minds. New York: Basic Books, 1997 (Деннет Д. Виды психики: на пути к пониманию сознания. М.: Идея-Пресс, 2004).
Detolnay, C. Michelangelo: Sculptor, Painter, Architect. Princeton, NJ: Princeton University Press, 1975.
Eiseley, L. Darwin’s Century: Evolution and the Men Who Discovered It. New York: Anchor Books, 1961.
Everdell, William. The First Moderns. Chicago: University of Chicago Press, 1997.
Feynman, Richard. Surely You’re Joking, Mr. Feynman: Adventures of a Curious Character. New York: W. W. Norton, 1997 (Фейнман Р. Вы, конечно, шутите, мистер Фейнман! Ижевск: РХД, 2002).
Finch, Christoper. The Art of Walt Disney. New York: Harry N. Abrams, 1995.
Findlay, C. and C. Lumsden. “The Creative Mind: Toward an Evolutionary Theory of Discovery and Invention.” Journal of Social and Biological Structures 11 (1988): 3–55.
Finke, Ronald, ed. Creative Imagery: Discoveries and Inventions in Visualization. Hillsdale, NJ: Erlbaum, 1990.
Freud, Sigmund. A General Introduction to Psychoanalysis, reprint ed. New York: W. W. Norton, Liveright, 1989 (Фрейд З. Введение в психоанализ. СПб.: Алетейя СПб., 1999).
—. An Autobiographical Study, reprint ed. New York: W. W. Norton, 1989.
Garcia, Emanuel. Understanding Freud: The Man and His Ideas. New York: New York University Press, 1992.
Gardner, Howard. Arts and Human Development: A Psychological Study of the Artistic Process. New York: Wiley, 1973.
—. Frames of Mind, reprint ed. New York: Basic Books, 1993 (Гарднер Г. Структура разума: теория множественного интеллекта. М.: Вильямс, 2007).
—. The Mind’s New Science. New York: Basic Books, 1987.
—. Art, Mind, and Brain: A Cognitive Approach to Creativity. New York: Basic Books, 1984.
—. Creating Minds. New York: Basic Books, 1994.
Gedo, John. Portraits of the Artist. Hillsdale, NJ: Analytic Press, 1989.
Centner, D. “Structure-Mapping: A Theoretical Framework for Analogy.” Cognitive Science 7 (1983): 155–170.