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It Was a Great Marvel That He Was in the Father Without Knowing Him. Year of the Trial-Size Dove Bar. Poor Yorick Entertainment Unlimited. Cosgrove Watt, Phillip T. Smothergill;

16 mm.; 5 minutes; black and white; silent/ sound. A father (Watt), suffering from the delusion that his etymologically precocious son (Smothergill) is pretending to be mute, poses as a ‘professional conversationalist’ in order to draw the boy out. RELEASED IN INTERLACE TELENT’S ‘HOWLS FROM THE MARGIN’ UNDERGROUND FILM SERIES — MARCH/ Y.T.-S.D.B — AND INTERLACE TELENT CARTRIDGE #357-75-50

Cage IV— Web. Unfinished. UNRELEASED Cage V–Infinite Jim. Unfinished. UNRELEASED Death and the Single Girl. Unfinished. UNRELEASED.

Too Much Fun. Unfinished. UNRELEASED

The Unfortunate Case of Me. Unfinished. UNRELEASED

Sorry All Over the Place. Unfinished. UNRELEASED

Infinite Jest (Vï). Year of the Trial-Size Dove Bar. Poor Yorick Entertainment Unlimited. ‘Madame Psychosis’; no other definitive data. Thorny problem for archivists. Incandenza’s last film, Incandenza’s death occurring during its post-production. Most archival authorities list as unfinished, unseen. Some list as completion of Infinite Jest (IV), for which Incandenza also used ‘Psychosis,’ thus list the film under Incandenza’s output for Y.T.M.P. Though no scholarly synopsis or report of viewing exists, two short essays in different issues of Cartridge Quarterly East refer to the film as ‘extraordinary’^d and ‘far and away [James O. Incandenza’s] most entertaining and compelling work.’^e West Coast archivists list the film’s gauge as ‘16 … 78 … n mm.,’ basing the gauge on critical allusions^f to ‘radical experiments in viewers’ optical perspective and context’ as IJ(Vì)’s distinctive feature. Though Canadian archivist Tête-Bêche lists the film as completed and privately distributed by P.Y.E.U. through posthumous provisions in the filmmaker’s will, all other comprehensive filmographies have the film either unfinished or UNRELEASED, its Master cartridge either destroyed or vaulted sui testator.

d. E. Duquette, ‘Beholden to Vision: Optics and Desire in Four Après Garde Films,’ Cartridge Quarterly East, vol. 4 no. 2, Y.W.-Q.M.D., pp. 35–39.

e. Anonymous, ‘Seeing v. Believing,’ Cartridge Quarterly East, vol. 4 no. 4, Y.W.-Q.M.D., pp. 93–95.

f. Ibid.

[25] More like July-October, actually.

[26] Synthetically enhanced enkephalin, an opiate-like pentapeptide or so-called endor-phin manufactured in the human spine, one of the compounds prominently involved in the infamous ‘CadaverGate’ scandal that brought down so many funeral directors in the Year of the Perdue Wonderchicken.

[27] Metro Boston subdialectical argot — origin unknown — for cannabis, pot, grass, du-Bois, dope, ganja, bhang, herb, hash, m. jane, kif, etc.; with ‘Bing Crosby’ designating cocaine and organic methoxies (‘drines), and — inexplicably — ‘Doris’ standing for synthetic dickies, psychs, and phenyls.

[28] Monoamine-oxidase inhibitors, a venerable class of antidepressants/anxiolytics, of which Parnate — SmithKline Beecham’s product-name for tranylcypromine sulfate — is a member. Zoloft is sertraline hydrochloride, a serotonin-reuptake-inhibitor (SRI) not all that dissimilar to Prozac, manufactured by Pfizer-Roerig.