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David Foster Wallace

Accordingly, though the works are here listed in what is considered by archivists to be their

a. From Comstock, Posner, and Duquette, The Laughing Pathologists: Exemplary Works of the Anticonfluential Après Garde: Some Analyses of the Movement Toward Stasis in North American Conceptual Film (w/ Beth B., Vivienne Dick, James O. Incandenza, Vigdis Simpson, E. and K. Snow).’ ONANite Film and Cartridge Studies Annual, vol. 8, nos. 1–3 (Year of D.P. from the A.H.), pp. 44-117.

probable order of completion, we wish to say that the list’s order and completeness are, at this point in time, not definitive.

Each work’s title is followed: by either its year of completion, or by ‘B.S.,’ designating undated completion before Subsidization; by the production company; by the major players, if credited; by the storage medium’s (‘film’ ‘s) gauge or gauges; by the length of the work to the nearest minute; by an indication of whether the work is in black and white or color or both; by an indication of whether the film is silent or in sound or both; by (if possible) a brief synopsis or critical overview; and by an indication of whether the work is mediated by celluloid film, magnetic video, Interlace Spontaneous Dissemination, TP-compatible InterLace cartridge, or privately distributed by Incandenza’s own company(ies). The designation UNRELEASED is used for those works which never saw distribution and are now publicly unavailable or lost.

Cage.bDated only ‘Before Subsidization.’ Meniscus Films, Ltd. Uncredited cast; 16 mm.;.5 minutes; black and white; sound. Soliloquized parody of a broadcast-television advertisement for shampoo, utilizing four convex mirrors, two planar mirrors, and one actress. UNRELEASED

Kinds of Light. B.S. Meniscus Films, Ltd. No cast; 16 mm.; 3 minutes; color; silent. 4,444 individual frames, each of which photo depicts lights of different source, wavelength, and candle power, each reflected off the same unpolished tin plate and rendered disorienting at normal projection speeds by the hyperretinal speed at which they pass. CELLULOID, LIMITED METROPOLITAN BOSTON RELEASE, REQUIRES PROJECTION AT.25 NORMAL SPROCKET DRIVE

Dark Logics. B.S. Meniscus Films, Ltd. Players uncredited; 35 mm.; 21 minutes; color; silent w/ deafening Wagner/Sousa soundtrack. Griffith tribute, limura parody. Child-sized but severely palsied hand turns pages of incunabular manuscripts in mathematics, alchemy, religion, and bogus political autobiography, each page comprising some articulation or defense of intolerance and hatred. Film’s dedication to D. W. Griffith and Taka limura. UNRELEASED

Infinite Jest (I). B.S. Meniscus Films, Ltd. Judith Fukuoka-Hearn; 16/35 mm.; 90(?) minutes; black and white; silent. Incandenza’s unfinished and unseen first attempt at commercial entertainment. UNRELEASED

Annular Amplified Light: Some Reflections. B.S. Heliotrope Films/Sunstrand Power & Light