Читать «Infinite jest» онлайн - страница 909

David Foster Wallace

I could barely recall the ‘98 blizzard. The Academy had been open for only a few months. I remember the edges of the shaved hilltop were still square and steep and striped in sedimentary layers, final construction delayed by some nasty piece of litigation from the VA hospital below. The storm came barrelling in southeast from Canada in March. Dwight Flechette and Orin and the other players had had to be led to the Lung roped together, single file, Schtitt in the lead carrying a highway flare. A couple photos hung in C.T.’s waiting room. The last boy along the rope disappeared into a forlorn gray whirl. The Lung’s new bubble had had to be taken down and fixed when snow-weight stove it in on one side. The T stopped running. I remember some of the younger players had cried and sworn up and down that the blizzard wasn’t their fault. For days snow churned steadily out of a graphite sky. Himself had sat in a spindle-backed chair, at the same living-room window C.T. now uses for advanced worry, and aimed a series of nondigital cameras at the mounting snow. After years in which his consuming obsession was the establishment of E.T.A., Orin said, Himself had started in with the film-obsession almost immediately after the Academy was up and running. Orin has said the Moms had assumed the film thing was a passing obsession. Himself had seemed interested mostly in the lenses and rasters[380] at first, and in the consequences of their modification. He sat in that chair throughout the whole storm, sipping brandy from a one-handed snifter, his long legs not quite covered by a plaid blanket. His legs had seemed to me almost endlessly long back then. He always seemed to be right on the edge of coming down with something. His record up until then indicated that he remained obsessed with something until he became successful at it, then transferred his obsession to something else. From military optics to annular optics to entrepreneurial optics to tennis-pedagogy to film. In the chair during the blizzard he’d had beside him several different types of camera and a large leather case. The inside of the case was striated with lenses down both sides. He used to let Mario and me put different lenses in our eyes and squint to hold them, imitating Schtitt.