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Doubtless, despite his suffering, he had fallen asleep while walking, for now he sees another scene – perhaps he has merely recovered from a delirium.[8] He stands at the gate of his own home. All is as he left it, and all bright and beautiful in the morning sunshine. He must have traveled the entire night. As he pushes open the gate and passes up the wide white walk, he sees a flutter of female garments; his wife, looking fresh and cool and sweet, steps down from the veranda to meet him. At the bottom of the steps she stands waiting, with a smile of ineffable joy, an attitude of matchless grace and dignity. Ah, how beautiful she is! He springs forwards with extended arms. As he is about to clasp her he feels a stunning blow upon the back of the neck; a blinding white light blazes all about him with a sound like the shock of a cannon – then all is darkness and silence!

Peyton Fahrquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.

Joseph Conrad

The Tale

Outside the large single window the crepuscular[9] light was dying out slowly in a great square gleam without colour, framed rigidly in the gathering shades of the room.

It was a long room. The irresistible tide of the night ran into the most distant part of it, where the whispering of a man’s voice, passionately interrupted and passionately renewed, seemed to plead against the answering murmurs of infinite sadness.

At last no answering murmur came. His movement when he rose slowly from his knees by the side of the deep, shadowy couch holding the shadowy suggestion of a reclining woman revealed him tall under the low ceiling, and sombre all over except for the crude discord of the white collar under the shape of his head and the faint, minute spark of a brass button here and there on his uniform.

He stood over her a moment, masculine and mysterious in his immobility, before he sat down on a chair nearby. He could see only the faint oval of her upturned face and, extended on her black dress, her pale hands, a moment before abandoned to his kisses and now as if too weary to move.

He dared not make a sound, shrinking as a man would do from the prosaic necessities of existence. As usual, it was the woman who had the courage. Her voice was heard first – almost conventional while her being vibrated yet with conflicting emotions.

‘Tell me something,’ she said.

The darkness hid his surprise and then his smile. Had he not just said to her everything worth saying in the world – and that not for the first time!

‘What am I to tell you?’ he asked, in a voice creditably steady. He was beginning to feel grateful to her for that something final in her tone which had eased the strain.

‘Why not tell me a tale?’

‘A tale!’ He was really amazed.

‘Yes. Why not?’

These words came with a slight petulance, the hint of a loved woman’s capricious will, which is capricious only because it feels itself to be a law, embarrassing sometimes and always difficult to elude.

‘Why not?’ he repeated, with a slightly mocking accent, as though he had been asked to give her the moon. But now he was feeling a little angry with her for that feminine mobility that slips out of an emotion as easily as out of a splendid gown.