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Карлос Кастанеда

Due to the influence that Florinda had on my life, I succeeded brilliantly in learning to focus my unwavering attention on the mood of people I never knew. 1 focused my recapitulation attention on the mood of those shamans, and I got trapped by it without hope of ever extricating myself from their pull. Florinda didn't believe in the finality of my state. She humored me. and laughed at it openly.

"Your state only seems to be final," she said to me, "but it isn't. A moment will come when you will change venues. Perhaps you will chuck even-thought about the shamans of ancient Mexico. Perhaps you may even chuck the thoughts and views of the very shamans you worked with so closely, like the nagual Juan Matus. You might refuse his being. You'll see. The warrior has no limits. His sense of improvisation is so acute that he will make constructs out of nothing, but not just mere empty constructs; rather, something workable, pragmatic. You'll see. It is not that you'll forget about them, but at one moment, before you plunge into the abyss, if you have the gall to walk along its edge, if you have the daring not to deviate from it, you will then arrive at warriors' conclusions of an order and stability infinitely more suited to you than the fixation of the shamans of ancient Mexico."

Florinda's words were like a handsome, hopeful prophecy. Perhaps she was right. She was of course right in asserting that the resources of a warrior have no limits. The only flaw is that in order for me to have a different orderly view of the world and myself, a view even more suited to my temperament, I have to walk along the edge of the abyss, and I have doubts that I have the daring and strength to accomplish that feat.

But who is there to tell?